On the same day that a family of five were being murdered in their home in Israel, Harvey Weinstein ran a self-congratulatory promotional piece for his company's terrorist propaganda flick, Miral. The photos stand out. The fat smirking face of Harvey Weinstein contrasted with the sleeping baby, the smiling little boys and the earnest couple who were their parents. They are all dead, and a Harvey Weinstein lives on to smirk another day. So it is with perpetrators and victims. The innocent children and the fat ugly men who profit from trafficking in the narrative of their killers.
Harvey Weinstein denounces Peter King and urges him to go watch Miral. But perhaps it is Harvey Weinstein who should drive to a small town lost in the Samarian Mountains and retrace the steps of the murderers in the name of the nationalistic mythology that movies like Miral glamorize. To fit himself through the living room window where the two terrorists entered, moving quietly in the dark, not seeing the six year old boy sleeping peacefully on the couch. That six year old boy who survived because like so many other little boys during the Holocaust, the men who were coming to murder him went right past him without seeing him. The six year old boy who was being orphaned around the same time that Harvey Weinstein and his PR people were conferring on a final draft for their Miral puff piece.
Come along Harvey, into the bedroom where a father and his three month old daughter, Hadas, were fast asleep. It can be hard to get a 3 month old baby to fall asleep. Her father must had quite a time of it that night. Babies may not have language, but they do have fears. They are afraid of the strange new world they were born into. And they need parents to comfort them and assure them that everything will be alright. That they are loved and protected. When Rabbi Fogel finally got his little baby daughter to sleep, she must have felt safe with her father there. The man who would have taught her about life. Who would have done his best to protect her. And the man whose throat was slashed in his sleep along with his child's.
Tell me Harvey, do you know what goes through a three month old baby's mind when her throat is being slashed? You can't make a movie about it and you wouldn't it if you could. Movies are complex stories. The characters change and grow. They become someone else. A three month old baby having her throat cut will never become anyone else. She is fixed in that moment of horror and pain. Dying without knowing why. Only that her parents couldn't protect her. If you were going to make a movie about this scene, it would be about the killers. You would show their past and explain their actions. Surely an Israeli soldier stepped on their toe once or blew up their house. Stretch it out over two hours and you can justify anything. Even the knife being drawn across Hadas' throat. That is the magic of cinema. But to three month old Hadas, there is no context. The movie of her life ended the night you were hard at work promoting yours.
Continue reading at the Sultan of Knish, AKA Daniel Greenfield
